Tuesday, April 28, 2009

Final Essay and Project

Important Dates:

 1) e-mail a draft of at least two (2) complete pages by May 4th, 11a.m. for class workshop in Week 14.

 2) Final Draft of Essay 3, due: Thursday, May 14th

 

Essay Prompt:

 General Info First!

After reading the memoir and dissecting the journey of Beah, and after finding our own texts to compare and contrast Beah’s story with, we are now transitioning to artistic inquiry.

We have been inquiring the entire semester, first in reflecting on a significant event in our lives, then in researching the journeys of Diaspora, and now we go from those experiences to pursue creating both a piece of writing and a piece of art that answers a question of human nature (explained more specifically below).


Specific Subject Matter!

What is love? What is hate? What is poetry? What is loss? What is death? What is murder? What is music? What is Chicago? What is NYC?  What is silence? What is violence? What is faith? What is language? What is…? 

The above questions are possible inquiries one might have about human nature after our semesters’ readings. They are also questions we might have asked ourselves time and again – naturally curious beings that we are. As writers, as artists, as citizens of a society…

these are questions that face us daily, and in our final essay of the semester, you are to explore a one-word concept (such as “love” or “hate”) in both a 3-4 pages essay AND a companion visual piece of art that reflects upon the ideas in your written essay.

You are to explore this one-word concept from your own personal understanding of the word, and do not need to use the texts as support or evidence. You may if you feel ALWG helps, but you are NOT required to use the text as other than inspiration for your topic.

Once you choose your word, you are to use the modes of persuasion – emotion (pathos), reasoning (logos), character/authority (ethos) – to create a well-developed artistic definition of that word.


Requirements:

 1) Essay portion (100 points): 3-4 pages, double-spaced, 12 pt font 

2) Visual Media (100 points):

Final Project/Visual Presentation: Along with the final of the 3 essays, you will be expected to create a companion-piece media that you will present to the class in the last weeks of the course. What is meant by “companion-piece media”? Well, the media part refers to making something physical, something artistic that communicates an idea inspired by course readings and discussions. This piece goes along with the Inquiry Essay and is the visual response to the inquiry explored in this final essay. 

 

Pre-writing Exercises:


I. To help get you started, fill in the following sentence with one-word concepts inspired from our readings and experiences during the semester:

“What does __________ mean?”

-       Make a list of words that you are interested in or thought of from the past semester. There should be many! From that list, choose the one word that you would really like to define in Essay 3.

 

II. Using your reading as inspiration

1) Discuss first paragraphs Chapter 20 of A Long Way Gone – reality v. dream

2) We will also dissect p. 212 and parts of Chapter 21 – important dates

 

-       After re-reading and discussing as a class the above excerpts, let’s borrow Beah’s first sentence from Chapter 20, replacd Beah’s words with the word you are choosing to define in Essay 3 and with where your basic definition comes from:

“My conception of _______________ came from ________________.”


-       After completing the sentence, keep going! Write a paragraph with the sentence as your topic sentence, using detail and example.

 

 

 

Tuesday, April 21, 2009

Reminder for Thursday, 4/23

Dear Students, here are some reminders for the next couple of weeks:

1. Remember that Essay 2 is due by 7pm by e-mail on Thursday, April 23rd.

2. Also, that we don't have class, but instead are assigned to finish the memoir, and to do the blogger responses seen in the last two posts if you have missed class. 

3. A very important reminder:  Those students missing class and missing a majority of assignments will get an e-mail from the Student Advocates fairly soon. For those still trying to pass the course, I suggest getting in contact by e-mail....

4. Our final essay, as Oasis indicates, will be an "inquiry into human nature inspired by Beah's journey." But, rather than the inquiry being about Beah's journey, his story is a jumping off point into the issue inspired by your reading.


Sincerely,
Chris 




Blogger 6, due Tuesday April 28th

Blogger Response #6 (15 points): Inquiry into Human Nature

Due: by class, Tuesday, April 28th

After finally finishing A Long Way Gone, and having discussed it and used it to inspire various kinds of our own writing…

What impression does the text leave you with about humanity? What does Beah’s say about the human journey to you – and what is it about his story that says this to you? What inspiration can you take from Beah’s work towards your own work?

Discuss the final chapters of Beah’s journey in one to two paragraphs.  At the end of your response, provide some “inquiry” question that you want to explore: a question on human nature that you will creatively and critically want to pursue answering.

Thursday, April 16, 2009

Blog Post #5, for Tuesday, April 21st:

Blog Post #5 (40 points): Integrating Relevant Academic Sources

Answer all of the following in a post, by class on Tuesday, April 21th:


- What claims are you making on the texts? What is your thesis on the two texts?
o Include both texts in thesis statement (main claim)
o Include in that thesis statement the theme that you see in both texts…

- What questions are you exploring in your research based on the main claim?

- What academic articles – besides two tales– are you using to support topic?

o If you haven’t: Find and read articles that describe behavior you’re discussing in comparing two tales of Diaspora.
o Look for articles in disciplines such as Psychology, Sociology, History, Science…

o Explain what idea in the article is useful and to be used in Essay 2 – pick out a relevant quote and clarify how it relates to your two comparative texts.

Purdue's OWL website: For The Want-improving Writer

Students:

As we continue on our brief research comparative essays, here is a website that supplements what we're going over in class in the next weeks -- integrating our source material effectively into our writing:


Not only is this particular section helpful, but the website is loaded with lots of strategies and explanations for different rhetorical considerations/ writing issues.


Tuesday, April 7, 2009

Ethos, Pathos, Logos

Click on the following link to help aid in your understanding of the three modes of persuasion.

Tuesday, March 31, 2009

Blog Response #4 for April 2

Blog Response #4 (15 pts):

1) Name chapters 17, 18 and 19

2) Along with providing a name for each chapter, give a minimum 5-7 sentence explanation for each chapter name. In that explanation, provide specifics. Use names, places, specific actions.

DUE: by class-time on April 2nd. For those wanting to hand in a copy of blog instead of maintaining blog, this is fine. But response is still due at beginning of class this Thursday.

Monday, March 30, 2009

Back from Spring Break

After week 8's fun trip to the Columbia Library, you were asked to find your comparative text for Essay 2.

Hopefully, you have chosen, and will bring that text to class tomorrow, Tuesday, March 31st.

Also, some people ran off without getting the reading assignment. It will imperative (important) that you have read up to Chapter 20 of A Long Way Gone by Tuesday-ish. The homework for Thursday will involve a blog response on these chapters.

The blog response guidelines will be given tomorrow in class. 

Friday, March 20, 2009

Student Advocates Asked Us to Remind Students

The last day for students to withdraw from a class is Saturday, March 21st.

Wednesday, March 18, 2009

Reminder for 3/19:

1) We are at the Columbia Library on Thursday (624 S. Michigan, next to Columbia's book store). We're meeting on the 3rd floor.

2) The last two posts are important. One is Essay 2, and below that is a small strategy for having a Research Word Bank to make finding sources just a little easier.

3) Millord, Justin, class...Liam Neeson, not Ralph Fiennes. My bad. But that is Neeson with two es.

See you Thursday,
Christopher

Tuesday, March 17, 2009

Essay 2: Research Essay Guidelines

Essay 2: Compare and Contrast Research – Diaspora (100 pts)

Important Dates:

1) Workshop of Essay 2: Thursday, April 9th
2) Final Draft of Essay 2, due: Thursday, April 16th

Essay Prompt:

We introduced the terms “Diaspora” and “transnational” last week in class, connecting A Long Way Gone as a tale fitting into the category. You will use compare and contrast strategies to discuss two texts on Diasporas. You will first research and then connect another Diaspora or Diaspora-related tale to our main class text, A Long Way Gone.

You are required to use at least two other sources in this essay in addition to A Long Way Gone. One must be the text in which you compare and contrast Beah’s journey to another, specific tale of Diaspora (which, reluctantly, includes film).

The second research resource/text must be an academic article that will help you in analysis of Diaspora themes. There are plenty of academic articles in our Columbia library and its database that will help you in your essay.

Very importantly, understand that you are not simply identifying themes seen in both A Long Way Gone and this other text. You are pushing towards analyzing the subject of Diaspora through the comparison and contrast of these texts.

Rather than focus on “everything” that deals with Diaspora, you were already asked to find one theme/subject within the general subject of Diasporas to focus on. For instance, perhaps music plays a role in each Diaspora; you can analyze the role of music in each of the two tales, and in Diaspora as a whole.

To help out, here are some possible texts that deal with Diaspora that might interest you:

1. Blood Diamond (movie)
2. Hotel Rwanda (movie)
3. The Giver (book)
4. Exodus (excerpt given out upon request)
5. The Book of Wilson (essay given out upon request)
6. What is the What (available in the library)
7. Echoes of the Lost Boys (graphic novel)
8. Heart of Darkness (novella)
9. Things Fall Apart (novel)
10. Sierra Leon Refugee All Stars (documentary)
11. Maus (graphic novel)
12. When Mr. Pirzada Came to Dine (From The Interpreter of Maladies)
13. The Kite Runner (book or movie)
14. The Grapes of Wrath (movie or book)

Requirements:

4-5 pages, double-spaced, Times New Roman; 12-pt. font; WORK CITED page, with at minimum 3 sources used (2 outside sources and A Long Way Gone)

Research Word Bank

For the library on Thursday, 3/19 it might be helpful to have done the following:

Research Word Bank: Make the Exotic Subject Familiar

Commonality. Connections. Rather than looking at a subject as completely foreign, ask and imagine how you may relate to it.

- Make a list of some of the themes and subjects that come out of your pre-writing discussions and activities

- Add to the list your answers to "What are your interests: music, art, language, TV, gender, ????"


War
Suicide
Poverty
Food source/ hunger
Language barriers
Music
Genocide
Gentrification
Lower class in new society à starting over
Education
Drugs
Alcoholism
Loss of family
Identity issues
Displacement
Civic duty
Civic death???
Technology
Religious beliefs
Slavery
Human trafficking
isolation

Thursday, March 12, 2009

Homework: Blogger Response #3 and Article on Diaspora

Homework for Tuesday, March 17th: Blogger Response #3 (25 points)

Our second essay is structured to practice the following: research strategies, writing from secondary sources (books, articles, data, etc.) found during research, and also connecting ideas found in research material to both our original text (A Long Way Gone) and our personal experience and interests.

A major goal of the research process is to more clearly understand how the world operates, and how, as scholars, we can cross disciplines and cross subject material to better understand human behavior, beliefs, ideology and theories.

Also, research allows us to apply found knowledge to help un-complicate and understand the world(s) we live in.


Prompt:


1) The reading part is long this weekend. Read up until the end of Chapter 15 by Tuesday. As you read, start to consider this a tale of diaspora (as we will discuss in class).

2) Post a 3-paragraph exploration of how Beah’s journey through the war causes him to address – mentally and physically – his personal and cultural beliefs. Focus on one cultural/social change that takes place in these chapters; one that interests you personally.

What kind of “culture clash” or “loss of culture” is Beah starting (or continuing) to experience? How does Beah deal with this cultural/social change? Use textual evidence to support your interpretation.

Towards the end of your response, connect Beah’s journey to a topic you would like to research; a topic that connects in some way to diaspora. In other words, explain how Beah’s journey includes a conflict that other people might find happens to them when their culture is uprooted and they are forced to live in “another world.”

One common topic of diaspora is “language barriers.” When a people are uprooted and forced to move (or even choose to move) they most likely deal with language conflicts in some way. Whether an entirely new language, or even if one moves from the American South to NYC – language conflicts are common in diaspora.

The Next Step (also homework for Tuesday, 3/17):

3) After posting Blogger Response #3, get on http://lib.colum.edu and search the article databases for “diaspora” and your topic. So, if you wanted to look into “language barriers” type in both terms into the on-line database. You may also ask a librarian for help, if you do your work at the library.

4) For Tuesday’s class: find an article on diaspora topic you want to explore. So, it could be an article that discusses…language barriers connected to diaspora. Do one of two things:

- Bring the article to class

and/or

- Bring up a written summary of the article – title of piece, its thesis/focus, and why you are interested in the article

Sunday, March 8, 2009

Workshop #2: Tuesday, March 10

This Tuesday we are going to have workshop #2, where we focus on  1) organization and 2) whether content and theme are fulfilled through the language.

In order to get credit towards your Essay 1 grade, bring in two copies of a draft that is at minimum 3-pages in length.

For those who missed class on Thursday, you may e-mail me for my comments on your last draft, or I can put it in my mailbox in the English Office (3rd floor) for you to pick up.

Sincerely,
Chris

Tuesday, March 3, 2009

Paragraphs: Transition from Idea to Idea

Here is a link to transitional devices you may use as part of a Revision Strategy in linking paragraphs together. 

Here are some rhetorical considerations in connecting paragraphs together:

1. "Pick up" key terms from previous paragraphs and restate them in next paragraph. 

- I like to use what I call "hinge" sentences 
(like a door hinge, which exists in two worlds), 
where I re-phrase the main idea of the paragraph I am finishing 
and the key phrase for the topic of the next paragraph in one sentence.

- I use put these "hinges" at the end of one paragraph, or the beginning of the next.

- These "hinges" rely on picking up terms and phrases, as stated above.

2. Use transitional phrases or transitional words to link (see above, and also see Purdue's OWL website)


However, using transitions is nothing IF
you don't properly organize your material.

SOME...Organizational Patterns for ordering information:

1. Chronologically (forwards or backwards) 

2. Sequencing (step by step information)

3. Compare and Contrast

4. Cause and Effect

5. Order of Importance: least to greatest; highest to lowest

- What do we need to know, and when is it necessary to know?*

- Will the reader be lost in story if I don't provide info earlier?*

*Considered a separate kind of organizational pattern, "defining" 
terms is important depending on clarity for audience . . . considering
these two questions just above.

Thursday, February 26, 2009

Blogger Response #2 (25 pts)

Due: post to your blog before class on Thursday, March 5th.

Your Response Prompt:

As we continue to discuss A Long Way Gone and the themes of hunger, escape, or family, it is important to write on each theme more in-depth. In this response, you are asked to go back within the first 7 chapters of the memoir and reflect upon how Beah has transformed so far, and also discuss what factors play a role in his transformation.

In the blog response, do the following:

1) Enter in the title of the post: The Transformation of Beah’s ____ (of course, in this part enter your theme: hunger, escape or family …or, do you have another theme?)

2) Within the actual post, respond to the topic by going back into the first 7-plus chapters and picking out AT LEAST THREE (3) passages that speak to your theme.

Compare and contrast Beah’s transformation by discussing each passage, focusing on:

a) What is happening at that time/ where is he at in his journey, and
b) What Beah’s mental state of mind is in each moment, and explain how he changes – mentally and/or physically.

Goals:

Our writing goal is to use the theme and prompt to work on writing development and focus.
The idea is to get beyond just stating that Beah changes, but to discuss how and why he does change.

In order for you to do so, you must go back and engage in the text. Those who practice Active Reading strategies, notating the themes as they read, will be at an advantage in doing this response.

Length Requirement:

This response is worth 25 points, and with that value comes the expectation of a detailed response. Consider what is being asked of you, to compare and contrast three separate passages from our text.

In doing so, you will also have to provide some clarification/context for each passage. The most successful blog responses will engage with the text, quote lines and explain them.

One strategy is to write out your response first within a Word document or in a notebook. Your response should be approximately three-quarters of a single-spaced, typed document.

The challenge is yours, to provide an in-depth exploration of Beah’s change!

College Writing: Responding to Peers

Due: Tuesday, March 3rd - 2 copies (1 attached to draft you respond to; one for the professor to read your review)


Writing can be a difficult process, even when the writing flies from the tips of fingers. We may feel like, whoosh, I have written something beautiful and powerful; or we may feel shy towards sharing the piece – afraid that our ideas are muddy.

These are natural responses. Our egos are as delicate as hummingbirds, fluttering in the air. However, knowing this cannot get in the way of engaging in what we have written.

The hummingbird can and has existed on its own, but also lives in a world of other hummingbirds – and more importantly, human influence!

This is where workshop comes into play. Our feedback is just that – feed. We put out the seeds in the feeder, and the hummingbird chooses to eat what we are feeding, or it doesn’t. With either choice, though, the ego is given options. The ego investigates what the world has to say. The ego has looked outside itself for advice.

Workshop 1

We are going to switch drafts with each other. During this process, you are to read and respond to another writer’s draft. Remember, these are drafts, and the success of the workshop depends on your honest, but thoughtful response to their narrative.

We are not editing, but responding as inquisitive readers.

You are to write 1-page, single-spaced “Dear ____” letters, due Tuesday, March 3rd, to a peer whose draft you have read. In that letter, you are to consider and use the questions below as guides for your response. Just as you have with Beah’s text, picked out lines and responded and explained them, you may do use this same strategy in your letter.

The point of the workshop is to give the writer an outsider perspective, giving them another way to look at their narrative so they can consider your response when they revise. Give them something to consider in revision, as every draft will have things to work on.

Question Bank: Use these as guides to write your letter, but don’t feel obligated to answer them all.

1) Can you, reader, personally connect to this narrative? Explain where you connect, where you don’t. Suggest something they may want to do in revision that would allow you to connect more.

2) What are the best lines in the narrative in regards to sensory language? Explain. Do you feel like the use of sensory language could be upped? Too much?

3) Where does the writer, in their use of description, imply too much, and leave you to fill in the gaps with your own idea of what they mean? Are they relying too much on clichés and general descriptive language?

4) Are they spending enough time describing a particular scene? What would you like to see more of; ess of?

5) Is the subject of the narrative clear? The event, the setting, who is involved?

6) What keeps you personally engaged in the story?

7) What “throws you out” of the narrative? Where do you get lost, scratch your head?

8) Do you get a sense that you are being told how to take things, or do you feel like you are experience the story?

9) Does the story flow, or is too much time spent on some ideas? Does anything feel repetitive? How can they get beyond saying the same thing over, what questions do you want them to explore in regards to their subject?

Tuesday, February 24, 2009

Invention and Revision Strategy: 2/24

The following writing prompt is a useful rhetorical strategy in inventing material for a subject, and the questions can be revisited by those looking to find ways to develop their writing by asking of the main question, what other questions may I answer in answering the main question.

We will do this exercise in-class, but use this strategy as you revise your Essay 1 for workshop on Thursday.

Take this strategy, as well, to your Tutoring Session and go see what you can come up with by talking over the questions with your tutor!

I remember, I was…

Do you remember where you were when a historical event happened?*

o What was the event?
o What were you doing?
o Where were you?
o What was your initial reaction? Describe what you did, how you felt…
o What were you thinking?
o How did this even change your thinking?
o What were other people doing? How did they react?


*You do not have to answer all of these questions above in the exact order they are asked above.

Look at how the main question can be “fleshed out” into multiple questions. These smaller questions, then, are what you as a student can understand as “interpreting the question” so that you can have work on a developed response that goes beyond just answering the question quickly.



HOMEWORK for Thursday, 2/26 (Be on time for class):

2 copies of your Essay 1 draft (one for me, one for a peer from our class to take home and type a considerate response to).

o Complete draft, with a minimum of 2 complete pages of story
o Typed and double-spaced, 12-point font
o Creative title that also informs us to the focus of narrative
o Drafts factor into the essay grade…
o Workshop will consist of writing a letter answering a couple of questions, nothing too daunting for your brilliant minds. Take this opportunity to get very valuable feedback.

Thursday, February 19, 2009

Homework for Tuesday, 2/24

Create your own “word bank” for your Essay1 narrative (give us 30-40 words!!!!); then do a Word Mash, writing two paragraphs for the narrative in which you use many of the words from your bank.

POST THIS TO YOUR BLOG, with the title “Word Mash: Essay 1.” This will be worth 10 pts

Also: Read Chapter 5 and 6, and use Active Reading Skills to keep track of themes of Escape, Hunger and Family. You can focus on one, if you want, for discussion Tuesday!!!
You may also note down other themes you find in your reading of the text.

Tuesday, February 17, 2009

Syllabus

Introduction to College Writing
Human//Nature

Spring 2009 – 52-1101-05
T, R 2 – 3:20pm
Room: Congress 419

Christopher Ankney
cankney  @  colum.edu
office hours: T, R, 11am - 12:15pm, (or by appointment)
office: Congress 527

“Human nature is potentially aggressive and destructive and potentially orderly and constructive”
— Margaret Mead

"Seven blunders of the world that lead to violence: wealth without work, pleasure without conscience, knowledge without character, commerce without morality, science without humanity, worship without sacrifice, politics without principle."
— Mahatma Gandhi

Course Description: Introduction to College Writing is exactly that: an introduction to writing in college. There is no one, single way to write in college; writing in college takes a variety of forms and is done for a variety of audiences and purposes. However, one significant feature of writing in college (arguably distinct from other kinds of journalistic or creative writing) is that writing in college always takes place in the context of other texts. Therefore, reading substantial, at times difficult, texts plays a dominant role in ICW. As such, ICW provides generous support while it immerses students into the full, rewarding experience of writing in college: grappling with complicated ideas, participating in a community of thinkers, and producing one’s own substantial texts in response. Instruction on the smaller units of written language—paragraphs, sentences, grammatical constructions—is not an end in itself in ICW, but is a part of the larger, richer process of producing one’s own substantial texts. By teaching students the practices, habits, and expectations associated with writing in college, ICW helps them negotiate the transition into college, and positions them for success, both in college and beyond.

Objectives: Students who succeed in ICW will be able to …

1. Produce substantial written texts in response to a variety of exigencies.
2. Accomplish substantial reading assignments.
3. Receive and address feedback on their work.
4. Meet expectations for college-level participation in classroom activities.

Required Texts:

*A Long Way Gone by Ishmael Beah
*Notebook for class notes and writing exercises
*Access to Oasis
*Blogger account

E-mailing Papers: Major assignments may be handed in via e-mail, unless otherwise notified. For each paper, you will be given printed guidelines with more detailed requirements. When sending by e-mail, as assigned, name your file this way: your last name_first name_assignment name_college writing

For example, if your name is John Smith and you are handing in Response Paper 1, name your file as such: smith_john_response paper 1_college writing

*And very importantly, save your file as a .doc or .rtf file, otherwise your paper cannot be opened and graded!
Coursework (1000 total possible points):

Writing Center: Each student is required by this course to make use of the weekly sessions (you must attend at least 10 out of the 15 sessions) in the writing center located in 618 South Michigan (1st Floor). Each time you visit the WC, you are to email me (cankney@colum.edu) a detailed session report. The sessions only count if you worked on ICW coursework. Be aware, that tutors are required by the program to send session reports, too. For students, the session reports will be factored into your grade, and must be clear with good detail about what work was accomplished. 10 sessions required, 10 points/sessions report emailed=100 points

Essays:
Obviously! We will write a series of essays ranging in tone and purpose from personal narration, to a more formal research essay as well as a more theoretical, thought provoking essay of your own design. Three (3) essays, 100 points/essay=300 points

Final Project/Visual Presentation: Along with the final of the 3 essays, you will be expected to create a companion-piece media that you will present to the class in the last weeks of the course. What is meant by “companion-piece media”? Well, the media part refers to making something physical, something artistic that communicates an idea inspired by course readings and discussions. This piece goes along with the Inquiry Essay and is the visual response to the inquiry explored in this final essay. Total=100 points

A Long Way Gone: Paired with this course is the memoir A Long Way Gone, by Ishmael Beah. We will read this during the course of the semester, and it will influence our essay topics, class discussion and personal lives (I hope). Along with just reading and discussing, we will write considerably about the topics introduced in this memoir both in essay form as well as in class and in blog forums which each of us will create to share our ideas with the larger public also studying Beah’s work. 10 blog postings required, 25 points/blog posting=250 points

Homework and Quizzes: Each class day, some homework will be assigned. You will have some reading and/or writing to do every day. Some of the homework will be collected, some will be posted on your blog or emailed to me directly, and some homework will be for your own personal use (i.e. I will not collect it, but it will be absolutely necessary for your participation in class). Quizzes will be issued as needed if homework is not kept up-to-date by the entire class. Homework will vary in point value, but will add up to 250 points by the end of the course.

Grading Scale*:

1000 – 895 points A
894 – 795 B
794 – 695 C
695 – 600 D
599 – below F

*Note that a +/- scale will be used. Other factors will be used to determine “close calls.”

Class Policies:

Late Work: Late work is not accepted. There are no exceptions to this policy as this course largely builds off of previous assignments, and most assignments are essentially prerequisites for the assignments that follow. If, for any reason, you miss a class when an assignment is due, it is your responsibility to email your work to me by the end of the school day. If you are worried about any single assignment and your ability to finish it on time, do not hesitate to talk to me about it. Often you will find that we will be able to work everything out just fine.

Participation and Academic Pursuit: As mentioned above in the projects and assignments section, it is absolutely critical to the success of this class that students are present both mentally and physically. If you cannot be present for a class, regardless of the reason, it is your responsibility as the student to get Oasis and/or email me for information about what happened that class meeting. Always assume that if you miss a class, you did, in fact, miss something. Students who miss more than 4 classes may be dropped from the course – see Attendance Policy for further explanation of absences and tardies.

I expect EVERY student to come to class prepared. The class will only be as strong as the students want it to be. The course’s success depends on healthy discussion of the texts, and your ability to ask questions to further your own learning.

Cell Phones and Such: Students are expected to silence and put away all cell phones, headphones and other like devices unless specifically using the device for an in-class project. The same goes for laptops. While students are welcome to bring in personal computers to take notes, students should also take care to close and/or put away laptops during class discussions.

Academic Integrity: Cheating results in automatic failure of assignment, at minimum; possibly failure for the course. Also, you may be reported to the department for further penalization. Intentionally passing off another’s work, words, ideas as your own without giving credit is inexcusable and unethical.

Here is what the program has to say, just for further clarification: Academic dishonesty of any sort is not tolerated in this class. If any student is found guilty of academic dishonesty, he or she will fail the assignment outright and may also be required to meet with the department chair or be dropped from the course. I have copied a segment from the Student Handbook that helps to explain Academic Dishonesty, but please see the following link for a full description:

http://cms.colum.edu/student_handbook/policies_procedures/academic_integrity/

For present purposes, “academic dishonesty” is understood as the appropriation and representation of another’s work as one’s own, whether such appropriation includes all or part of the other’s work or whether it comprises all or part of what is represented as one’s own work (plagiarism). Appropriate citation avoids this form of dishonesty. In addition, “academic dishonesty” includes cheating in any form, the falsification of academic documents, or the falsification of works or references for use in class or other academic circumstances. When such dishonesty is discovered, the consequences to the student can be severe.

Attendance: You have four absences during the semester, excused or un-excused. After that, you either fail the course or your final grade will be reduced at least one letter grade. Also note, every four tardies will equal one absence.

Weekly Calendar*

*Note that the syllabus may be amended during the semester as the instructor sees fit, to optimize academic success…

Below is a brief outline of what we will accomplish, and does not include supplemental readings. Also, the memoir has conservatively assigned to fill out the semester, but it is my hope that we will be able to finish a complete first reading of A Long Way Gone much earlier, so that we can read some smaller-but-related texts.


ICW – Ankney, Spring 2009

ALWG= A Long Way Gone

Week Readings, Exercises and Deadlines

Week 1 (1/27, 29) Introductions and diagnostic; begin work on simple sentences

Week 2 (2/3, 5) Continue on with simple sentences; complex sentences; start ALWG—blog established (chapter 1)

Week 3 (2/10, 12) Complex sentences; ALWG 2-5
Start personal narrative;

Week 4 (2/17, 19) Begin work on paragraphs; ALWG 6-7

Week 5 (2/24, 26) Writing process; draft of narrative; ALWG 8-10

Week 6 (3/3, 5) Peer Workshop; ALWG 11

Week 7 (3/10, 12) Narrative due; Research discussion, start work on research essay; ALWG 12-14

Week 8 (3/17, 19) Midterm Conferences; ALWG 15 blog

Spring Break (3/24, 26) Keep working on research essay and ALWG 16-17

Week 9 (3/31, 4/2) Workshop; work day

Week 10 (4/7, 9) Research essay due; ALWG 18-19

Week 11 (4/14, 16) ALWG 20-21; end discussion

Week 12 (4/21, 23) Start Inquiry essay, Conferences

Week 13 (4/28, 30) Workshop/re-draft

Week 14 (5/5, 7) Presentations

Week 15 (5/12, 14) Presentations; Inquiry essay due